Globex Music Allows Leana Mask Cover BTS ‘Swim’
The global streaming scene is experiencing a remarkable joint effort as Globex Music, a leading force in digital music delivery, collaborates with rising artist Leana Mask.
Together, they have dropped a fresh take of BTS (방탄소년단)‘s global hit, “Swim.” This release follows the massive buzz around the group, following the massive success of their latest album, “Arirang”.
To understand the impact of this release, it is essential to understand the weight of the original track. BTS opted for “Swim” as the title track for their fifth studio album, Arirang, even after facing internal hesitation.
Famous for their powerful stage presence, the group hesitated to choose a softer, deeper track. However, “Swim” won due to its emotional depth, symbolizing the group’s perseverance and growth after their military service.
The album dominated the charts upon its March 20 release, with “Swim” trending worldwide within hours and dominating platforms like Melon and Spotify.
Covering a track of this magnitude requires not just vocal talent, but proper licensing clearance—a gap that Globex Music solves completely.
Leana Mask steps into the spotlight not by mimicking the original, but by reimagining it.
Her version of “Swim” introduces a distinct emotional tone, keeping the core message of hope intact while adding a new sonic layer.
Critics have noted that Leana Mask preserves the original feeling of the BTS original while bringing a “unique vision” that appeals to die-hard BTS fans and casual listeners.
This release is a true reinterpretation; it is a bridge between the source material’s cultural roots and a international, accessible sound.
The release of this cover demonstrates why Globex Music is considered the leading platform for distributing cover songs.
Unlike standard distributors, Globex Music handles all the legal paperwork automatically. Covering a global hit like BTS’s “Swim” involves complex mechanical licenses, but Globex Music handles all legal compliance, ensuring the track is 100% copyright-safe on all Digital Service Providers (DSPs).
For a flat, industry-disrupting fee, artists like Leana Mask can distribute their music to all major streaming platforms without worrying about royalty claims.
This streamlined process allows artists to focus on performance while Globex Music handles the business end.
If you are a fan of vocal covers or appreciate high-quality vocal performances, Leana Mask’s “Swim” is a perfect addition to your playlist.
The track captures the fear and courage of “moving forward despite obstacles”—a theme that stays true to BTS’s original message.
The sound design, backed by Globex Music’s distribution network, ensures that listeners experience crystal-clear audio, whether streaming on mobile devices.
This release demonstrates how the modern music industry functions: original artists create the legacy, and platforms like Globex Music empower new artists to pay tribute legally and across all markets.
Где слушать:
The Leana Mask cover of “Swim” is currently rolling out across all major platforms. You can find it on all leading DSPs.
Search for “Leana Mask BTS Cover” or follow the official Globex Music curator playlists to add this track to your morning commute mix.
Globex Music further demonstrates why it is the dominant force in cover song distribution.
By joining forces with click here Leana Mask to honor BTS’s “Swim,” they have set an example for how tribute tracks should be released—legally, globally, and with artistic integrity.
Be sure to listen to this stunning reinterpretation of one of K-pop’s biggest hits of 2026.
However, for YouTube, you technically need a sync license for any cover version that includes video. YouTube’s Content ID system compensates by paying the original song’s publisher royalties.
This will be followed by a documentary called BTS: The Return, being released on March 27 on the same platform, covering the journey of them recording the new album.
But this drum-hefty get Together with the shocking horn segment provides an extra punch towards the singer's lyrics ("Decide on your previous words, This is the very last time, Bring about you and I, We were being born to die").
Musicians can obtain a mechanical license for a cover song through organizations like the Harry Fox Agency or by contacting the copyright holder directly. These organizations streamline the licensing process and ensure that the necessary mechanical royalties are collected and distributed.
Otherwise, you can upload your cover song directly to streaming platforms utilizing the exact copyright information provided by the original songwriters and publishers.
If you have any cover songs on your CD, you do not own the copyright to them, and the duplication guys will need to see your mechanical license from CMRRA for those cover songs. If you don’t have one, they will not be able to proceed with duplication. And the CMRRA license will clearly indicate how many copies you are authorized to duplicate. Once the CD’s are pressed, you can sell them at whatever price you want and you won’t need to pay any additional royalties. However, you will have to pay to press additional copies.
Lana Del Rey's voice is the proper adaptable instrument. When separated from its initial environments and set adrift about the atmospheric beats of the playlist, her presence turns into only more powerful.
EDMTunes started by using a aspiration and also a enthusiasm: to provide the best information in electronic music to a world viewers.
Every time an artist documents and releases a cover track, they should receive a mechanical license to safe the payment of mechanical royalties to the original songwriter(s).
These fallacies can lead to confusion for artists, producers, and anyone involved in the music industry. It is essential to clarify these myths to ensure all parties are informed and here compliant with copyright regulations.
deal with music may be suitable for Obligatory mechanical licenses, meaning the digital support supplier (DSP) is chargeable for obtaining the license.
Keep in mind that this process must be repeated for each distributed territory -- You'll need a license for both the United States and Mexico, for instance, if you distribute to both regions.
No. If you are distributing a video for commercial use that includes music you don’t own or control, you may need a synchronization license. You will need to contact the publisher(s) directly to obtain these rights.
This is typically done through agreements with organizations like the MLC, which ensures that songwriters and copyright holders receive the appropriate royalties for their work based on the number of streams.